Jon Shearburn

JON- EXPERIENCE CORPU - Philadelphia, PA- Senior Editor, Producer, Director & Animator Senior editor that handlededited, animated and directed the video work for CorpU’s biggest clients that included Walmart, Coca Cola and Mattress Firm. Lead the video team in transitioning to an Adobe Premiere based studio and trained the other editors in a proper workflow. Greatly improved the quality and efficiency of something something about improving the quality of productions by using better cameras and using my experience blah blah blah Managing an Edit Share based networked editing environment.the productions by applying years of producing and editing experience. Managed the production studio as well as the Edit Share server. Elevator operator…see email WORLD WISE, LLC - New York, NY- Editor, Director & Producer I cCo-produced, directed and edited a series of corporate educational videos intended for training American business people on customs and norms when doing business overseas in countries like India and China. COYOPA PRODUCTIONS - Philadelphia, PA- Senior Editor & Producer Senior editor that handled the majority of the projectsedited and supervised the post-production process for commercials and documentaries. Managed the freelancers, booked crews and coordinated production schedules and managed the office, which included troubleshooting and building edit systems and archiving old projects. and interns. Booked crews, planned shoots - general producer duties IT-built editing systems, troubleshot problems, managed the archiving of projects POINT OF VIEW PRODUCTIONS - Chester Springs, PA 2006 Editor & Animator Editor for campaign election commercials during the 2006 election cycle. I was often given a voice over and a few photosThese often started with a voice over and a few images and by the end of the day would be at Fedex for distribution to TV stations around the country. AMERICAN POETRY CENTER - Narberth, PA- Editor & Animator FILARDO PRODUCTIONS - New York, NY- Editor & Production Assistant AGENCY WORK/FREELANCE AGILE CAT - Philadelphia, PA 2016- present Editor & Animator Editor and Animator for clients including Academy of Natural Sciences, Trice Medical, Homestead Health, Purolite, King of Prussia Business District and Brenntag. CAMPBELL CREATIVE - Camden, NJ 2018 - present Editor & Animator Editor and Animator for Campbell Soup Company QUALIFICATIONS Producing innovative videos and animations while complimenting the vision of clients and creative directors Creative and insightful editing with Avid, Premiere (Adobe Creative Cloud), Final Cut Pro 7 & FCPX Color correction with Resolve, SpeedGrade and Colorista Motion graphics animation using After Effects, Illustrator and Photoshop DIT/Data Management workflows and Dailies creation for RED, ARRI, Black Magic, Canon and various other camera formats Time-Lapse photography and “Live-Action Animation” Production coordinating involving booking crews and managing post-production talent Compression expertise for various formats including online deliverables, broadcast, and DCP creation for theatrical distribution EDUCATION FORDHAM UNIVERSITY - New York, NY Bachelor of Fine Arts - Film Studies, May 2000 CREDITS THE ABADDON HOTEL (HELL HOUSE 2)AMERICAN DEMOCRACYThe Winemaker’s SonHELL HOUSE, LLC 3-The Lake of Fire (Editor, DIT & Post-Supervisor) - Feature Film 2019, director Stephen Cognetti Shot on Sony FS7. The DIT role consisted of downloading and archiving the camera and audio media, ensuring there were multiple copies of the data, creating proxy files of the camera footage and preparing the the film for editing and post-production. THE WINEMAKER’S SON (DIT & Assistant Editor) - Short 2019Feature Film in production, director Natasha StraleyPaolo Pilladi Shot on Arri Alexa AMERICAN DEMOCRACY (DIT & Assistant Editor) - Short 2019, director Natasha Straley Shot on RED 8K TUESDAY NIGHTS (Assistant Editor) - Web Series 2018, director Joe Bandelli Shot on RED 8K In addition to preparing the project for editing, I created custom editing workflow for the editor who was editing his first project in Adobe Premiere. INTERVENTION Season 20 (DITMedia Manager & , Assistant Editor, Post-Supervisor) - Feature Film 2017, director Stephen CognettiTelevision Series for A&E Shot on Sony EX1, F5, AS7, Canon 5DFS5, FS7 and GoPro THE ABADDON HOTEL (HELL HOUSE 2)HELL HOUSE, LLC 2: THE ABADDON HOTEL (DIT, Assistant Editor, & Post-Supervisor) - Feature Film 20178, director Stephen Cognetti Shot on Sony EX1, F5, AS7, Canon 5D and GoPro. Developed custom workflow STAR (DIT, Motion Graphics Animator & , Post-Supervisor) - IMAX Short 2016. director Richard Power Hoffmann Shot on RED, time-lapse/still photography on Sony AS7 SECLUSION (Editor & , DIT/2nd AC) - Feature Film 2015, director Joe Bandelli Shot on RED WINNER Best Editing 2015 Atlanta Independent Film Festival WHAT IS BEAUTY? (Colorist, & Online Editor) - IMAX Short 2015, director Tim Shepherd Shot on Black Magic Cinema Camera, time-lapse photography on Nikon D800 HELL HOUSE, LLC (DIT, Assistant Editor & , Post-Supervisor) - Feature Film 2015, director Stephen Cognetti Shot on Sony EX1, F5, AS7, Canon 5D and GoPro PROGRESS (AND UNRELATED THINGS) (Assistant Editor) - Feature Film 2014, director Adam Barish Shot on RED WATERMELON MAGIC (Editor, DIT, Colorist, & Post-Supervisor) - IMAX Stereo 3D 2013, director Richard Power Hoffmann Shot entirely with still images captured with Canon 5D and Nikon D800 NATIONAL COLLEGE FOOTBALL HALL OF FAME AWARDS (Editor, & Motion Graphics Animator) - ESPN-, director Tony Buemi A PORTRAIT OF GARFIELD (Editor, Colorist, Motion Graphics Animator & , Producer) - Documentary Feature 2011, director Richard Power Hoffmann PHILADELPHIA: THE GREAT EXPERIMENT (DIT & , Assistant Editor) - Documentary Feature 2010, director Mark Moskowitz MY FATHER’S PHOTOS (Editor & , Motion Graphics Animator) - Documentary Short 2009 director Richard Power Hoffmann ARTHUR B. CARLES: PHILADELPHIA ARTIST (Editor, Motion Graphics Animator) - Documentary Feature 2008, director Margot Barringer WINNER Best Documentary 2008 West Chester Film Festival QUALIFICATIONS Creative and insightful editing with Premiere (Adobe Creative Cloud), Final Cut Pro 7, Avid & FCPX. Color correction with Resolve, SpeedGrade and Colorista Motion gGraphics aAnimation using After Effects, Illustrator and Photoshop DIT/Data MManagement workflows and Dailies creation for RED, ARRI, Black Magic, Canon and various other camera formats Producing and pProduction mManagement experience involving booking crews and managing post-production talent Time-Lapse pPhotography and “Live-Action Animation” Compression expertise for various formats including online deliverables and DCP creation for theatrical distribution Proficient in Mac and Windows operating systems, Microsoft Office, and all standard web applications EXPERIENCE CORPU - Philadelphia, PA 2014-Present Editor, Motion Graphics Animator & Camera Operator WORLD WISE, LLC - New York, NY- Editor & Producer COYOPA PRODUCTIONS - Philadelphia, PA- Senior Editor & Producer POINT OF VIEW PRODUCTIONS - Chester Springs, PA 2006 Editor & Motion Graphics Animator AMERICAN POETRY CENTER - Narberth, PA- Editor & Motion Graphics Animator FILARDO PRODUCTIONS - New York, NY- Editor & Production Assistant EDUCATION FORDHAM UNIVERSITY - New York, NY Bachelor of Fine Arts - Film Studies, May 2000 CREDITS Editor, DIT, Colorist, Assistant Editor and/or Post-Producer on: put what you did for each. Move director up to first line STAR THE ABADDON HOTEL (HELL HOUSE, LLC (DIT, Assistant Editor, Post-Supervisor) - Feature Film 2017, director Stephen Cognetti Shot on Sony EX1, F5, AS7, Canon 5D and GoPro STAR (credited as?DIT, Motion Graphics Animator, Post-Supervisor) - IMAX Short 2016. director Richard Power Hoffmann, director Richard Power Hoffmann Shot on RED, time-lapse/still photography on Sony AS7 SECLUSION (credited as? And so onDIT/2nd AC, Editor) - Feature Film 2015, director Joe Bandelli Shot on RED WINNER Best Editing 2015 Atlanta Independent Film Festival director Joe Bandelli WHAT IS BEAUTY? (Colorist, Online Editor) - IMAX Short 2015, director Tim Shepherd director Tim Shepherd Shot on Black Magic Cinema Camera, time-lapse photography on Nikon D800 HELL HOUSE, LLC (DIT, Assistant Editor, Post-Supervisor) - Feature Film 2014, director Stephen Cognetti director Stephen Cognetti Shot on Sony EX1, F5, AS7, Canon 5D and GoPro PROGRESS (AND UNRELATED THINGS) (Assistant Editor) - Feature Film 2014, director Adam Barish director Adam Barish Shot on RED WATERMELON MAGIC -(Editor, DIT, Colorist, Post-Supervisor) - IMAX Stereo 3D 2013, director Richard Power Hoffmann director Richard Power Hoffmann Shot entirely with still images captured with Canon 5D and Nikon D800 NATIONAL COLLEGE FOOTBALL HALL OF FAME AWARDS (Editor, Motion Graphics Animator) - ESPN-, director Tony Buemi, director Tony Buemi A PORTRAIT OF GARFIELD (Editor, Colorist, Motion Graphics Animator, Producer) - Documentary Feature 2011, director Richard Power Hoffmann PHILADELPHIA: THE GREAT EXPERIMENT (DIT, Assistant Editor) - Documentary Feature 2010, director Mark Moskowitz MY FATHER’S PHOTOS (Editor, Motion Graphics Animator) - Documentary Short 2009 director Richard Power Hoffmann ARTHUR B. CARLES: PHILADELPHIA ARTIST (Editor, Motion Graphics Animator) - Documentary Feature 2008, director Margot Barringer WINNER Best Documentary 2008 West Chester Film Festival Re: Video Producer My name is Jon Shearburn and I am writing to you about the listing for the Social Media Video Producer position. I have over fifteen years of experience in film and video production, mostly in editing & post-production; I have edited everything from feature films to branded content to :15 social media videos. Workflows and organizational standards I’ve created have been implemented at production companies and among creative teams to help manage the projects and ensure the post-production process runs as smoothly as possible. This experience allowed me to create custom workflows for the feature films The Abaddon Hotel, Star, Hell House, LLC, and Seclusion. Additionally, I have trained editors to transition from other software to Premiere, instructed animators on the needs of editors, and overseen a post-production team in both corporate and creative environments. Some additional experiences and skills I’d like to highlight are: Visualizing and executing producers’ visions through editing and animation using Adobe Premiere and After Effects (and the rest of the Creative Cloud), as well as Avid, FCP7 and FCPX Managing a post team as well as freelance sound designers, musicians and VFX artists Creating a new and unique workflow for the film Watermelon Magic to edit and finish a product that was created entirely with RAW still images. Compression expertise for various formats including online deliverables, broadcast, and DCP creation for theatrical distribution Experienced camera operator working with RED, Arri, Sony and DSLR Creating a networked editing environment In lieu of a desperately needed new reel, here is a link to some of my favorite work from the past few years. In addition to the editing, I had various extra roles in the creation each of these pieces and I would be very happy to talk with you about them. https://vimeo.com/album/- You can also view a larger selection of my work at jonnyres.net Thank you for your consideration and I look forward to speaking with you soon. Best Regards, -Jon Shearburn