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Shaping the stories that shape your business
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As an award-winning brand marketing consultant with over 20 years
experience, I partner with media, advertising and B2B organisations to
build brands from the inside out. I help strengthen reputation,
alignment and performance across every touchpoint.
My work sits at the intersection of brand strategy, marketing, internal
communications, employer branding and employee engagement;
helping businesses create cultures, messages and experiences that
land.
I collaborate closely with founders, marketing teams, HR/People
leaders and agency leadership; acting as a strategic partner and an
extension of their team.
My approach blends clarity, creativity and practicality. No jargon, no
inflated decks, I help make people and brands gain fame that works.
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About
Client experience
My career spans 20 years in brand design, media,
and client-side leadership. I started in brand design,
leading marketing for TheTeam, before spending 13
years at PHD Media, part of the Omnicom group,
building deep expertise in media strategy and
commercial growth.
I later moved client-side to lead commercial
marketing at Channel 4, leading the reputation for
one of the UK’s most-loved brands.
This end-to-end experience underpins my
consultancy work today. Partnering with media,
marketing and creative agencies, as well as B2B
brands to deliver brand and communication
strategies that drive clarity, confidence and
commercial impact.
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My experience spans the entire
communications mix. Which means
I can help you:
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Create fame for your brand or
leadership team
Turn strategy into clear,
compelling narratives
Build credibility and a positive
reputation
Drive measurable improvements
in employee engagement and
retention
All delivered through a flexible suite
of services shaped around your
business.
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When you work with me, you don’t just get thinking, you get tangible, ready-to-use deliverables that
create immediate impact. Depending on your brief, outputs can include:
Brand & Strategy
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Brand positioning frameworks and messaging architecture
Clear narrative platforms for brand, campaigns or transformation
programmes
Go-to-market storytelling and strategic comms plans
Content & Thought Leadership
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Executive thought leadership (LinkedIn, articles, speeches)
Editorial content strategies and content calendars
Award Papers, scripts, storyboards, and submission support
Fame, PR & Partnerships
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PR narratives and media angles
Partnership strategies to build relevance and reach
Campaign ideas designed to earn attention, not just
buy in
Internal Communications & Culture
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Internal comms strategies aligned to business goals
Employee engagement campaigns and messaging frameworks
Leadership comms (town halls, change programmes, cultural
narratives)
Employer Brand & Talent
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Employer value propositions (EVP) and messaging
Talent attraction campaigns and storytelling
Careers content and internal/external alignment
Diversity and Inclusion Strategies and Outputs
Execution Support
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Campaign messaging and copy
Decks and presentations that land with senior stakeholders
Hands-on guidance to bring ideas to life across teams
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If your audience is diverse, your communications should be too.
With extensive experience in DE&I, I help organisations create
communications that resonate with all audiences, increasing
relevance, reach and long-term value.
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Ensuring inclusion builds trust inside and out
Internally, inclusive comms help people feel seen and valued.
Externally, they signal credibility and authenticity to customers,
partners and future talent.
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Diverse content protects culture and reputation
What you say internally shapes behaviour; what you say
externally shapes perception. DE&I-led comms reduce risk on
both fronts by keeping messaging aligned, respectful and
intentional.
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Strengthens engagement and brand impact
Employees engage more when communications feel relevant and
fair. Audiences engage more when brands reflect the real world,
driving loyalty, advocacy and growth.
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PHD_Logo_Purple_RGB - #DMWF Asia
Canal 4 Logo, image, download logo | LogoWiki.net
Canal 4 Logo, image, download logo | LogoWiki.net
BRAND REFRESH
CONSULTANCY
CANNES AWARDS
DEVELOPMENT
BUILDING BRAND
NARRATIVE
REFRAMING DIVERSITY IN
ADVERTISING
DRIVING LONG-TERM
REPUTATION
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2026_Zero Plus:
From Freelance Roots to a Scalable, Credible Brand
The Challenge
Zero Plus was evolving fast, transitioning from a primarily freelance-led model into a
fully-fledged Managed Service Provider.
The capability was there.
The ambition was clear.
But the brand wasn’t keeping up.
While the team had deep expertise in delivering technology services, they lacked a
clear identity that reflected their growth, credibility and future direction. The risk was
simple: without a strong brand, the business wouldn’t be recognised at the level it
was operating.
The Approach
I worked closely with the founders to bring clarity, structure and direction to what can
often be an overwhelming process.
• I led a discovery phase to understand how the founders saw the business, how
they talked about it, and where they wanted to take it
• I helped cut through the noise to define what actually mattered, focusing on
building a brand that would deliver real commercial value, not just visual appeal
• I scoped the right approach to brand development, ensuring time, budget and
effort were aligned to impact
Crucially, this wasn’t about overcomplicating things; it was about making the right
decisions, in the right order.
The Execution
I acted as both strategic lead and hands-on guide throughout the process.
• Introduced and partnered with a design agency to bring the new brand and website
to life
• Ensured the strategic thinking translated clearly into creative output
• Guided the team through key decisions, timelines and trade-offs, keeping
momentum and reducing friction
• Provided ongoing support to make the process feel structured, manageable and
focused
This wasn’t a “hand it over and hope for the best” approach; it was end-to-end support
to get it right.
The Impact
• A clear, credible brand that reflects Zero Plus’s evolution into a growing MSP
• A new website and suite of collateral designed for real-world use, not just aesthetics
• Greater clarity and confidence from the leadership team in how they present the
business
• A smoother, more efficient process that avoided common pitfalls in brand
development
The Outcome
Zero Plus now has a brand that matches its ambition, one that the team actively uses
day-to-day to support growth, conversations and client engagement. By combining
strategic clarity with practical delivery, I helped turn what could have been an
overwhelming exercise into a structured, high-impact transformation.
Because a strong brand isn’t just something you launch,
it’s something your business can actually use.
See testimonial
See testimonial
2026_blowUP media:
Turning Innovation into an Award-Winning Story
The Challenge
blowUP media had created something
genuinely innovative with its Vertical
Garden®, transforming traditional outof-home sites into living, breathing
urban infrastructure that actively
improves air quality.
The product was powerful.
The proof was credible.
But the story wasn’t landing at the level
required to compete at Cannes.
Because at that level, it’s not just about
what the work is.
It’s about how clearly and compellingly it’s understood.
The Approach
I focused on reframing the work into a narrative that would resonate with juries,
combining innovation, impact and commercial transformation into a single, cohesive
story.
• Clarified the core positioning: shifting blowUP media from a media owner to an
urban infrastructure partner
• Refined the narrative to ensure the environmental impact was both credible and
easy to understand
• Structured the story around clear sections aligned to Cannes criteria, ensuring
every claim was supported, every message earned
• Balanced ambition with accuracy, creating work that was both jury-baiting and
audit-safe
• Crucially, I ensured the story didn’t just describe the product; it demonstrated why
it matters, at scale.
The Execution
I worked across multiple Cannes Lions categories, adapting the story to meet different
judging criteria while maintaining a single, consistent narrative.
• I crafted submissions across Outdoor, Media, Innovation and SDG categories
• Rewrote key sections, including Brand Context, Strategy, Execution and Results to
maximise clarity and impact
• Strengthened the role of data and independent measurement to validate
environmental claims
• Developed multiple tonal versions of the written entry and translated them into
category-fit video scripts for the business to turn around themselves.
Every word was designed to work harder, simplifying complex innovation into a story
that juries could quickly understand and remember.
The Impact
• A clearer, more compelling articulation of blowUP media’s innovation and role in
the market
• Stronger alignment between product, purpose and commercial value
• A suite of Cannes-ready submissions tailored for multiple categories
• Increased confidence in presenting the work on a global stage
The Outcome
By transforming a complex product into a clear, powerful narrative, I helped position
blowUP media not just as a media owner, but as a business redefining the role of
outdoor in cities.
Because at Cannes, the difference between being shortlisted and being overlooked
isn’t just the idea, it’s the story you tell about it. Results out in 2026.
See testimonial
See testimonial
-_From Brand Platform to Sales Engine:
Commercialising ‘Altogether Different’
The Challenge
Channel 4 had a powerful corporate proposition, Altogether Different, but it wasn’t
translating into a clear, commercially compelling story for advertisers. In a market
reshaped by ad-funded streaming and increased competition, agencies understood
the brand, but not always the business advantage.
The Approach
Rather than reinvent the positioning, I focused on unlocking the commercial value of
what was already there by:
• Conducting a targeted perception study with media agencies to identify strengths,
gaps and barriers to investment
• Uncovering a clear disconnect between brand affinity and commercial clarity
• Reframing Altogether Different for advertisers, evolving it from a corporate platform
into a sales-driving narrative
• Built a structured proposition around four core pillars, clearly articulating Channel
4’s differentiated value to brands.
The Execution
This wasn’t just messaging; it was designed to actively sell.
• I developed a clear, consistent sales narrative that could flex across different
audiences, sectors, and briefs, and be used by a large, siloed, disconnected sales
team.
• I translated the narrative into a modular sales deck video, designed to be used
end-to-end or broken into tailored sections depending on the story required
• Brought the story to life through Channel 4 talent, Nick Grimshaw, ensuring the
narrative felt authentic, distinctive and rooted in Channel 4’s DNA
• Leveraged video as a core medium, reflecting Channel 4’s strength as a content
powerhouse and enabling agencies to see the impact, not just read about it
• And finally, I led the creation of a new Channel 4 Sales website, rewriting all core
copy to better showcase capabilities, products and commercial impact for brands.
The Impact
This led to a stronger, more consistent commercial narrative in the market
• It improved the understanding of Channel 4’s proposition among agencies and
advertisers, leading to a spike in sales for the commercial team
• Increased engagement through dynamic, content-led storytelling in sales
environments, leading to more campaigns and ultimately making Channel 4 the
most awarded media owner at the Campaign Media Awards in 2025.
The new narrative enabled greater flexibility in how the story was delivered, from full
narrative to tailored, pillar-led conversations and finally a digital platform that works
harder as a sales tool, not just a shop window
The Outcome
By translating Altogether Different into a clear, modular and content-led sales
narrative, Channel 4 moved from being well-liked to commercially compelling,
strengthening its position as a distinctive, high-impact partner for brands.
Because in a world of static decks and generic sales stories, Channel 4 didn’t just tell a
better story, it showed it.
2025_Channel 4:
Reinventing the Diversity in Advertising Award for Scale and Impact
The Challenge
For nearly a decade, Channel 4’s Diversity in Advertising Award had focused on one
underrepresented group each year, driving important, but often narrow,
representation. But in a fast-changing landscape, and in the year of the 2024
Paralympic Games, there was an opportunity to go further. Not just to represent one
audience, but to rethink how advertising works for everyone.
Currys won with ‘A Sigh of Relief’, one of the most talked-about ads of the year, and
Curry’s most successful campaign to date, delivering an ROI of 26:01, demonstrating
how accessibility can enhance both creative impact and audience connection.
At the same time, there was a commercial tension. While Channel 4 offered match
funding to all shortlisted brands, brands still had to invest additional budget to bring
campaigns to life, creating a barrier to entry and limiting participation.
The Approach
I reframed the brief entirely. Instead of asking brands to create new campaigns for a
specific audience, I positioned accessibility as a creative and commercial advantage.
• Wrote a new brief centred on making advertising accessible, not as a niche
requirement, but as a mainstream opportunity
• Shifted the focus from “creating for one group” to unlocking reach across multiple
audiences
• Positioned accessibility as something that could be applied to existing campaigns,
removing the need for additional production costs
• Reframed the value exchange, showing brands that they could save money, extend
reach and improve impact simply by adapting what they were already planning
This wasn’t just a change in messaging; it was a change in behaviour.
The Execution
The new brief unlocked broader participation and more ambitious thinking from
brands.
• Attracted entries that embedded accessibility into existing campaign plans, rather
than treating it as an add-on
• Enabled Channel 4 to bring more work to air, not just the winner, but multiple
shortlisted campaigns
• Elevated the role of accessibility from compliance to creativity
The Impact
The most accessible year of advertising on Channel 4 to date
Multiple campaigns were brought to air, significantly increasing representation at scale
Stronger engagement from brands, driven by a more commercially viable proposition
A shift in how accessibility is perceived, from niche requirement to creative opportunity
Crucially, this was also the first time the competition delivered a positive commercial
return, generating revenue rather than relying solely on investment, something not
achieved in the previous nine years.
The Outcome
By redefining the brief, I helped transform the Diversity in Advertising Award from a
well-intentioned initiative into a scalable, commercially sustainable platform for
change. In 2026, Channel 4 decided to repeat the brief for the first time ever, giving
more brands an opportunity to enter after seeing how Currys pulled it off.
Off the back of this award, Channel 4 also revealed it would now mandate subtitles on
all ads from February 2026. Because the real step forward wasn’t asking brands to do
more, it was showing them how to do better with what they already had.
-_PHD:
Cutting Through Complexity with Radical Clarity
The Challenge
The media agency landscape had become saturated with noise. Every agency
claimed to be transformational, pioneering, or future-facing, but in reality, they were
becoming increasingly indistinguishable from one another. Clients weren’t short of
options; they were short of clarity.
PHD had a genuinely differentiated heritage, as the first planning-led media agency,
but that story had become diluted by the same industry language everyone else was
using.
The Approach
Rather than adding to the noise, we stripped it back. We returned to what made PHD
fundamentally different: a deep understanding of human behaviour, rooted in its
planning-led origins. This wasn’t about creating something new; it was about
reclaiming and sharpening what had always been true.
• Repositioned PHD around its founding principle: planning-led thinking that drives
better outcomes
• Brought humanity back into the narrative, replacing jargon, acronyms and industry
speak with clear, everyday language
• Reintroduced powerful proof points to build credibility, including the fact that
PHD’s very first client was still a client nearly 30 years later
• Took a deliberately contrarian stance in the market, while others overcomplicated,
we simplified.
Most importantly, we said something no one else was willing to say: We positioned
PHD as a planning and buying agency, and stated it simply: we plan and buy media.
No spin. No overcomplication. Just clarity.
The Execution
This thinking was embedded across every touchpoint, from new business materials
and marketing to internal communications, ensuring consistency in how PHD showed
up.
• We rewrote core messaging to reflect a more human, direct tone of voice
• Equipped teams with a clear, confident narrative they could actually use in
conversations
• And used simple, everyday language to clearly demonstrate how PHD delivers for
clients’ brands across copy, websites, awards and events, making the work and its
impact easy to understand.
The Impact
• Clearer differentiation in a crowded and often confusing market
• Stronger client understanding of what PHD does, and how it delivers value
• Increased confidence and consistency across teams in how the agency presents
itself
• A more accessible, human brand that clients could easily connect with.
This clarity didn’t just change perception, it reinforced performance, which delivered
regular success at Cannes Lions, demonstrating creative effectiveness on a global
stage, consistent ranking at the top of the WARC effectiveness leaderboard and a
strong, positive presence within industry press, reinforcing PHD’s reputation as both
credible and commercially effective
The Outcome
By removing the noise and returning to its roots, I helped position PHD as an agency
that didn’t just sound different; it was understood.
And by using simple, human language to clearly show how PHD delivers for brands, the
agency strengthened its position as one of the most successful and enduring media
agencies in the market for over 20 years.
Because in a category obsessed with sounding complex, the real power was in being
clear.
Testimonials
“
Working with Emma on our Cannes Lions submission was an incredibly
valuable experience. Her ability to identify the strongest categories and
articulate exactly why they gave us the best chance of success was
particularly impressive. She didn’t just advise, she led. Emma defined a
clear plan, then executed it with precision, writing the papers to an
exceptionally high standard with minimal revisions required.
Beyond the written entries, she added real value in shaping our overall
submission. Her scripts for the case films were sharp and considered,
with clear direction on graphics, assets, and voiceover, ensuring
everything worked cohesively. She also guided us seamlessly through the
submission process, even providing draft layouts for digital boards, which
made a complex process feel straightforward.
Emma was highly responsive throughout, always quick to turn things
around and consistently delivering ahead of deadlines. Even after her
work was complete, she continued to support us, reviewing our films and
offering insightful, practical feedback to help us achieve the strongest
possible outcome.
A true partner in every sense, combining strategic thinking with hands-on
delivery. We wouldn’t hesitate to work with her again.”
Howard Staines, Commercial Director, blowUP media
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“
Last year, we made dramatic progress in building Zero Plus from its early
beginnings as a primarily freelance organisation, into a fast-growing MSP
in our own right. Whilst my team and I have loads of experience at building
and delivering great technology services, we also needed to develop our
own identity and brand.
I’m not ashamed to admit – this is an area in which we needed expert
advice. And for this, we reached out to Emma.
Working with Emma on our brand refresh at Zero Plus was a gamechanger. She quickly cut through the noise and helped us understand
exactly what we needed, what was possible, and how best to approach it
to deliver real value to the business.
She introduced us to a fantastic design agency, which brought the new
brand and our great new website to life. But what really stood out was
Emma’s ongoing support. She guided us through the entire process, from
timelines to decision-making, making something that could have felt
overwhelming feel structured and manageable.
The end result is a brand and collateral we genuinely use day-to-day, not
just something that looks good on paper. Emma brings a rare combination
of strategic thinking and practical delivery, and I’d highly recommend her.”
David Twynham, Co-Founder & Director, Zero Plus
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MAD//Fest Panellist 2024
Campaign 40 over 40 Winner 2023
Interviews with Wellbeing Coaches 2023
Marketing Academy Scholar 2022
Most inspiring Senior Leader of the Year Winner 2023
Behind Channel 4’s Diversity in Advertising Award
Podcast interviews with NABS 2023
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GET IN TOUCH
I do not believe in one-size-fits-all day rates.
Rather than working to a fixed day rate, my fees
are shaped around the scope, complexity, the
scale of each project and outputs.
To ensure pricing is right for you and your
business, we’ll talk through your brief in detail,
and I’ll recommend a clear, tailored pricing
structure that reflects the value of the work.
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