Business Plan Sample
BUSINESS
PLAN
Lyrics to My Beat
CONFIDENTIAL
Lyrics to My Beat
…Creating Future Stars Today.
Business Plan.
2018.
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be re-distributed, shared, or copied without written consent of the owner.
Lyrics to My Beat
Table of Contents
Executive Summary
Introduction……………………………………………………………………………………...8
Mission Statement………………………………………………………………………………9
Objectives……………………………………………………………………………………….9
Keys to Success…………………………………………………………………………………9
Highlights of Lyrics to My Beat………………………………………………………………10
Business Summary and Financing
Business Overview…………………………………………………………………………….12
Management Team……………………………………………………………………………12
Products and Services…………………………………………………………………………13
Company Strategy…………………………………………………………………………….14
Required Funds……………………………………………………………………………….14
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Lyrics to My Beat
The Business Model
Introduction…………………………………………………………………………………….17
Business Model Canvas……………………………………………………………………….18
The Customers…………………………………………………………………………………19
Products and Problems………………………………………………………………............19
The Value Proposition…………………………………………………………………………20
Key Partners……………………………………………………………………………………21
Key Activities……………………………………………………….......................................21
Key Resources………………………………………………………………………………….22
Cost Structure………………………………………………………………………………….22
Market Analysis Summary
Industry Overview……………………………………………………………………….........24
The Nigerian Music Industry in Numbers………………………………………………….24
Talent Shows in Nigeria………………………………………………………………….......25
Market size…………………………………………………………………………………….25
Market Needs………………………………………………………………………………….26
Market Growth………………………………………………………………………………...27
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Marketing and Publicity Plan
Overview……………………………………………………………………………………….29
Positioning……………………………………………………………………………………...29
Pricing……………………………………………………………………………………….….29
Promotion and Publicity……………………………………………………………………...30
Competitive Advantage………………………………………………………………………32
Milestones………………………………………………………………………………………33
Strategy and Implementation………………………………………………………….…….33
SWOT Analysis…………………………………………………………………………………34
Strategic Alliances- Analysing the top 10 musicians in Nigeria………………………….35
Operational Plan
Overview……………………………………………………………………………………….37
Business Structure…………………………………………………………………………….38
Criteria for Entry and Selection……………………………………………………………...40
Requirement for Judges’ Selection…………………………………………………………40
IT Unit…………………………………………………………………………………………...41
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Financial Plan
Financing……………………………………………………………………………………...43
Underlying Assumptions……………………………………………………………………...43
Sensitivity Analysis…………………………………………………………………………….43
Sales Forecast………………………………………………………………………………….44
Revenue Streams………………………………………………………………………………45
Assumption…………………………………………………………………………………….45
Projected Financial Statements……………………………………………………………...48
Statement Analysis…………………………………………………………………………….54
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Lyrics to My Beat
“Go out and buy yourself a 5 cent pencil and a 10 cent notebook
and begin to write down some million-dollar ideas for yourself”
BOB GRINDE
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Lyrics to My Beat
EXECUTIVE SUMMARY
INTRODUCTION
Lyrics to My Beat (hereafter referred to as “LTMB”, “The Initiative”, “The Brand” or
“It”) is an online talent show competition. It will be developed, marketed and
managed by Qube 247- a budding online music platform. Established in 2018, LTMB is
set to recreate music competition standards.
LTMB is changing the status quo by offering a standard music platform where
individuals (or groups) in all types of genres can showcase what they got in the most
convenient manner- from the comfort of their homes.
This strategy is driven by a simple conviction- Everybody is a star.
Research shows that a lot of Nigerian music talent shows have restrictions- a limited
number of people housed and groomed, subliminal promotion of certain participants
by the organisers or a competition set up for specific genres only. LTMB intends to
change all that. Regardless of genre, looks or status, LTMB will shine the light on all
participants with no bias.
LTMB will work with established Nigerian producers to create catchy original beats for
undiscovered talents to sing/ rap/ hum/talk to. The winner of the competition gets a
music distribution deal with Qube 247 and other mouth- watering prizes. The goal is
to bridge the existing gap in the Nigerian music industry. It will be strictly for the
Nigerian music market to put the spotlight on the untapped potential in the Nigerian
music industry.
The purpose of this business plan is to raise N- for the development of an
online music competition while showcasing the expected financials and operations
over the next three years.
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MISSION STATEMENT
“The goal is to spotlight undiscovered music typically overshadowed by their
mainstream counterparts”
- LTMB Mission Statement.
The mission speaks to underground artistes, unsigned talents and the entire
Generation Y. Everybody gets a shot- all entries will be considered and the
participants with exceptional lyrics will be rewarded.
OBJECTIVES
The initiative’s main objective is to showcase musical talents in the most convenient
way, without distinction of gender, appearance, genre or other opinions by:
• Developing an online platform where all sounds are encouraged to participate.
• Fostering relationships between the industry veterans (producers) and the
protégés (participants)
• Establishing and growing LTMB into a formidable talent competition,
merchandising and multimedia brand.
• Creating a steady stream of revenue from voting portals, merchandising and
eventually digital sales and live performances.
KEYS TO SUCCESS
•
•
•
•
Focus on creating a formidable internet presence and building the foundation
for a recognisable web brand.
Solve problems with independent marketing, promotional and advertising
budgets.
Consistent engagement of the public to ensure active participation in the
competition.
Ensure financials are managed effectively, marketing and promotional budgets
are monitored and develop successful growth strategies.
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HIGHLIGHTS OF LTMB
§
§
§
§
§
§
Innovation/ Convenience- LTMB will operate strictly as an online platform. All
entries and announcements will be via the web and social media.
Multiple streams of income- Asides from revenue generated from the voting
portals, LTMB will manufacture and produce a large variety of merchandise at
the lowest possible costs.
Collaboration and Co-creation- LTMB will work with established producers and
other industry professionals to create the best music platform.
Trademark- the initiative is in the process of registering the name “Lyrics to My
Beat” as a trademark.
Advertising- LTMB intends to work with leading agencies for digital marketing
and branding services.
Management- The brand’s management is highly driven and passionate about
seeing the company goals to fruition.
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be re-distributed, shared, or copied without written consent of the owner.
Lyrics to My Beat
“All achievements, all earned riches, have their beginning in an
idea”
NAPOLEON HILL
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be re-distributed, shared, or copied without written consent of the owner.
Lyrics to My Beat
BUSINESS SUMMARY AND FINANCING
BUSINESS OVERVIEW
LTMB is the brainchild of Qube 247 Ltd. Qube 247 was registered and incorporated
on the 30th of November, 2015 as a limited liability company in Lagos State, Nigeria.
The idea was an original conception of the founder, David O. Adeyemi.
The plan was to create a talent show built on convenience and general acceptance.
Preliminary research showed that most talent shows had rigorous application and
auditioning processes. This alone served as a deterrent and talent dampener to the
prospective participants. After all of that, participants were still not fairly selected.
With LTMB, Adeyemi seeks to change all the politicking and focus on the music.
According to him, “the public cares only for artistic content within the music. Lyrics to
My Beat is looking for artistes (without bias) with exceptional lyrics that can blend with
our original beats to create infectious sounds that will break cultural boundaries and
possess major crossover appeal”
MANAGEMENT TEAM
David O. Adeyemi
Founder and CEO (Chief Executive Officer)
David has always been an avid music lover. His love for music and an enterprising mind
led to the creation of Qube 247 in 2015. He has since created other projects in
entertainment and the service industry. Currently an LIRS employee, he uses his
experience in people management and business administration to improve the
operations and profits of Qube 247. David holds a BSc in Accounting from Benson
Idahosa University, Benin City, Edo State.
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Aisosa Okundaye
COO (Chief Operations Officer)
Over the last five years, Aisosa has been an entrepreneur, advisor, writer and business
development executive; working in various roles within and outside the entertainment
industry. He started his career as a content developer for an entertainment outfit
before leaving for Madison Park Ltd to build his business development skills and all
the while still being an integral part of Qube 247. He is focused on actualising the
vision of Qube 247, which is ensuring the availability of African music for music lovers
everywhere and giving proper monetary value to this music.
Aisosa holds a B.A in International Studies and Diplomacy from Benson Idahosa
University, Benin City, Edo State.
Sesan Adeniji
Strategist
Sesan’s influence in the music industry is very significant. For over sixteen years, he has
been influencing the opinion of the music industry in the news by granting every
talented artiste the same opportunity to be heard, whilst ensuring these talented acts
are noticed by the right brands and event managers. He serves Qube 247 by offering
his vast acumen from working with the greats in the entertainment industry.
PRODUCT AND SERVICES
The primary revenue source for LTMB will come from the online sales of forms for the
competition as well as from corporate sponsorships. These corporate sponsors will cobrand the initiative. The secondary revenue will come from merchandise. The initiative
will manufacture and produce a large variety of merchandise at the lowest possible
costs. Every piece of merchandise, once sold, becomes a living piece of advertising for
our project, creating a dual benefit for LTMB and its customer base. These items will
include but are not limited to the following: T-shirts, Baseball Caps, Sweatshirts,
Wristbands and other collectibles.
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be re-distributed, shared, or copied without written consent of the owner.
Lyrics to My Beat
COMPANY STRATEGY
LTMB intends to carve its niche with the following strategies:
Innovation
The foremost strategy for LTMB is its online based platform. The competition will be
strictly online to increase accessibility and convenience.
Differentiation
The initiative will not adopt a “winner takes all” model but instead a first to third place
prize model. This will encourage participation and healthy competition amongst the
contestants.
Strategic Alliances
LTMB will use certain strategic alliances to gain a sizeable market share.
This strategy will be largely based on Sesan’s extensive inside knowledge of the
entertainment industry and an established network of contacts within the industry.
The plan is to work alongside some music industry favourites (musicians, DJs,
producers and on-air personalities) to gain grounds and get maximum participation.
REQUIRED FUNDS
The initiative seeks a capital infusion of 50 million naira from prospective investors. The
interest rate and other obligations are to be further discussed during negotiation. This
business plan assumes that the investor will receive a 15% equity share in LTMB. The
investor will not have any active role in the day-to-day operations of the company, or
have the power to bind the company with any contract, promise, agreement or
undertaking. This money will be used to cover costs associated with:
1) Development of website.
2) Promotional items.
3) Brand ambassadorship.
4) Legal fees.
5) Competition prizes.
6) Logistics etc.
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Lyrics to My Beat
The investment is required to meet the competition’s first milestone which is reaching
positive cash flow by third quarter of operations. The initiative is projected to generate
45 million naira in revenue by the end of the first year, with a profit margin of 30%.
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be re-distributed, shared, or copied without written consent of the owner.
Lyrics to My Beat
“Setting goals is the first step in turning the invisible into the
visible”
TONY TOBBINS
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be re-distributed, shared, or copied without written consent of the owner.
Lyrics to My Beat
THE BUSINESS MODEL
INTRODUCTION
The LTMB business model, like any business model will describe how the brand
functions; its value proposition, revenue streams, and how it will create and adapt to
new markets and technologies.
LTMB business model will create value for the following group of people
•
•
•
•
Participants are given a platform to showcase their talents and win amazing
gifts.
The Nigerian entertainment industry acquires new talents.
Corporate sponsors get the opportunity to promote their brands.
Investors enjoy timely return on investments.
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Lyrics to My Beat
BUSINESS MODEL CANVAS FOR LYRICS TO MY BEAT
KEY
PARTNERS
KEY
ACTIVITIES
VALUE
PROPOSITION
CUSTOMER
RELATIONSHIP
CUSTOMER
SEGMENTS
Participants in
the
entertainment
industry
(artistes,
producer and DJ)
Promoters.
Influencers.
Sponsors.
Judges.
Customer
acquisition.
Seamless
transactions.
Website
management.
Merchandise
design.
Beats production.
Convenience.
Innovation.
Multi-genre.
Affordable.
Fairness.
Co-creation.
Personal
assistance.
Nigerian youths
(18- 35 years)
Nigeria based.
CHANNELS
KEY
RESOURCES
Website.
SMS voting portal.
Staff.
Website.
Word of mouth.
Social media.
COST STRUCTURE
REVENUE STREAMS
Set up costs.
Operations costs.
Legal costs.
Promotion costs.
Online sales of forms.
Sponsorship fees.
SMS votes.
Google ad clicks.
Merchandise.
FIGURE: THE BUSINESS MODEL CANVAS
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THE CUSTOMERS
The target customers are youths with regular access to the internet and active social
media users. All of our target customers must be Nigerian based; their ages ranging
from 18- 35 years old. The winners of the competition will be brand ambassadors of
Qube 247 so it is important they are within Nigeria and young enough to be
dedicated to the cause.
Active social media presence will be a plus because it is an online competition; gender
is not relevant, just raw talent and dedication. The issue of language will also not be a
hindrance. Participants are allowed to flow in English, Pidgin or any local dialects as
long as they are on the beat.
Another customer segment is the fashionable millennial that will love the LTMB
merchandise. The objective is to ensure these items are trendy enough to be worn for
all occasions.
PRODUCTS AND PROBLEMS
PRODUCTS
LTMB is offering the following products and services:
1) One of a kind talent show.
2) Top-notch beats from a reputable music producer.
3) Quality merchandise.
PROBLEMS
Convenience: Most talent shows lack creativity and adaptability. Products should be
tailored for the public and not the other way round. In the present technological
climate, a competition that creates a platform that requires minimal stress to
participate in will be generally accepted. A show that does not require a designated
venue for example will be good for everyone; participants should be allowed to
partake from the comfort of their homes.
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Predictability: There is a tendency for competitions to be clichéd and predictable in
their winner selection. In the bid to appeal to a certain crowd, they tip the scales to
favour certain contestants based on looks, sounds and other pre-determined indices.
This means that certain contestants never stood a chance.
Collaboration: Being a newbie in any industry can be daunting, even more so, the
entertainment industry. Many talents get discouraged trying to break into the
mainstream and give up on their dreams. If an opportunity to collaborate with industry
veterans was presented, these protégés will do better.
Income Generation: There are a lot of investors looking for viable businesses to invest
in. Promises are made, financial projections are drafted to look favourable but the real
question remains- How many feasible streams of revenue does the business have? This
will determine the certainty of the returns on investment.
THE VALUE PROPOSITION
LTMB has analysed these problems and come up with the following value
propositions:
Convenience- LTMB will make the competition as hassle-free as possible. Participants
will be allowed to contest from the comfort of their homes, offices, favourite hangout
spots- anywhere they like. It is important to the brand that the participants are stressfree to enhance their creativity.
Innovation- the application and participation processes will be strictly online- making
LTMB a one-of-a-kind show. The goal is to make the experience as seamless as
possible.
Multi-genre- all genres will be accepted and considered without bias. The competition
was created to explore untapped talents and new sounds as against creating more of
the existing sounds. No artiste will be profiled or partially privileged.
Collaboration- one of the most unique propositions of LTMB is the collaboration
between established producers and the participants. This will boost the participants’
confidence and ensure they bring their A-game.
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Quality merchandise- LTMB already has a number of revenue streams but the
production of quality merchandise is worth mentioning because even after the
competition, this will still be a source of revenue. LTMB is dedicated to creating
quality, affordable and quirky merchandise.
KEY PARTNERS
LTMB has a number of key partners;
• Participants in the entertainment industry (artiste, producer and DJ),
• Promoters and influencers.
• Sponsors and judges.
• Technological partners.
The entertainment industry participants are part of the supply side. They help deliver
the value proposition to the end users (the contestants). Promoters and influencers do
the same: they create a unique value proposition by ensuring the service is transferred
seamlessly from the brand to the contestants. The sponsors provide funds and
promotional items while the judges ensure the best talents get the prize.
The technological partners are important because they oversee:
• Website
• SMS portal
• Google Ads
• Payment etc.
KEY ACTIVITIES
The key activities will revolve around enhancing positive relationships between LTMB
and the public. These activities are specific business processes such as beats
production, merchandise design and customer retention.
1. To acquire and retain customers, LTMB will continually improve the value
proposition e.g. convenience and innovation whilst looking out for
complementary value propositions.
2. A dedicated and top notch production team will be available to ensure the
brand delivers on the customer value proposition (collaboration).
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3. LTMB will work with skilled technological partners to ensure proper website
management.
4. These technological partners will work round the clock to deliver seamless
transactions.
5. The design of merchandise will also be a key activity. Great designs will
translate into quality merchandise which is a key value proposition.
KEY RESOURCES
In order to perform these key activities, LTMB will require some key resources. These
key resources need to be built and nurtured to make certain the initiative’s goals are
achieved. These resources include;
1. Human resources- skilled staff.
2. Intangible resources- brand name.
3. Supporting resources- communication systems (website and SMS voting portal)
COST STRUCTURE
The biggest cost element for LTMB will be the cost to acquire participants in the
entertainment industry. LTMB will have to work alongside a prominent music artiste, a
top notch DJ and music producer to guarantee the brand gets maximum public
attention.
Other elements in the cost structure will include:
1. Set up costs.
2. Technological costs.
3. Operations costs.
4. Marketing costs.
5. Legal costs.
6. Customer support.
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Lyrics to My Beat
“The expert in anything was once a beginner”
HELEN HAYES
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MARKET ANALYSIS SUMMARY
INDUSTRY OVERVIEW
Nigeria’s music industry has made significant strides over the last two decades, and is
now arguably the most vibrant music sector in Africa. It has the highest number of
internationally successful and decorated contemporary music acts, such as Wizkid,
2face Idibia, Davido, D’banj, and Tiwa Savage, to mention a few.
Recently, Nigerian musicians have been smiling to the bank, having experienced a
boom in digital sales, downloads and online streaming. The typical challenges, such as
piracy and proper distribution channels notwithstanding, the Nigerian music industry
remains a money-spinner.
The internet has brought new and legal ways of distributing, promoting and marketing
music without geographical constraint. Nigerian entrepreneurs (some of whom were in
business before the 2013 arrival of iTunes in the country) have leveraged their
knowledge of Nigeria’s music sector to outsell the bigger, global platforms locally.
Music streaming platform, Spotify is not legally available in Nigeria, so there is an
opportunity for local entrepreneurs to tap into this market too.
Spinlet is one of the early birds to the digital distribution space in Nigeria and claims
to have the world’s largest catalogue of Africa-centric music. Qube 247 is gearing to
get a share of the market with its innovative ideas and dedicated team.
THE NIGERIAN MUSIC INDUSTRY IN NUMBERS
The Nigerian music industry produces 550 albums of different types of music annually.
Record sales have more than tripled in the past 5 years, averaging 10 million in 2005
and rising to an estimated 50 million in 2010. An estimated 1200 concerts and musical
shows take place every year and account for a combined annual turnover of US$105.5
million.
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The vibrancy of Nigeria’s music industry has also had a sizeable economic impact.
PwC’s Global Entertainment and Media Outlook provides historical performance
figures in the entertainment industry from the first half of the decade (2011 to 2015)
and forecasts performance in the same areas for the next four years.
According to the report, the Nigerian music industry was worth $40 million in 2011
and $47 million in 2015. By 2020, this figure is expected to double to $86 million. The
report notes that digital platforms will account for over 90% of Nigeria’s recorded
music sales in 2020.
TALENT SHOWS IN NIGERIA
Talent shows emerged in Nigeria in the early 2000s. Shows like MTN’s Who Wants to
be a Millionaire, Gulder Ultimate Search and MTN’s Project Fame set the pace for
others to follow. These shows have produced celebrities, millionaires and most
importantly, put the corporate sponsors behind the shows in the spotlight.
These talent shows are set up for various reasons; several big establishments organise
talent shows to showcase their numerous products and services. They also serve as a
means for young talented Nigerians to showcase their craft and make money.
Whatever the reason for their establishment, these shows have become fan favourites
and occupy a huge part of the Nigerian entertainment industry.
LTMB is gunning to be the number one online talent show in Nigeria. It will channel
the strengths of the existing frontrunners and add its unique value propositions to
achieve this feat.
MARKET SIZE
The total market for LTMB includes all Nigerian-based youths that have access to the
internet and most likely own mobile/desktop devices. The addressable market that the
brand will target are;
1)
2)
3)
4)
Nigerian-based youths that like music and are fashion forward.
Nigerians that own a mobile/desktop device.
Nigerians with access to the internet.
Nigerians that are active on social media.
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5) Nigerians that love talent shows.
6) Nigerians that vote during talent shows.
Talent shows amass as much as 170 million votes as seen in the last Big Brother
Nigeria. This includes online voting (98.3%) and SMS voting (1.7%). These votes,
however came from viewers in 49 African countries, with Nigerian viewers the only
ones allowed to vote by SMS.
Conservatively, the total number of voters in Nigeria is estimated to be 6.3 million
(online and SMS voters). This market size was calculated by multiplying the total
percentage of SMS voters by the total number of votes and adding it to the ratio of
online Nigerian voters. (i.e. 2.89 million SMS voters and 3.41 million online voters)
MARKET NEEDS
Online talent hunts are driven by the mobile devices market. According to the Jumia
Mobile Report 2018, Nigeria is Africa’s largest mobile market with about 162 million
subscribers; 21 million Nigerians are smartphone users and 98 million Nigerians are
users of the internet; 17 million Nigerians are active mobile social media users.
This is a win for LTMB because more smartphones and active social media users means
more potential customers for the brand.
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MARKET GROWTH
Number of smartphone users in Nigeria from- (in millions)
Figure culled from statista.com
Number of internet users in Nigeria from- (in millions)
Figure culled from statista.com
All this research on smartphone and social media users shows growth opportunities for
LTMB as an online talent show for the millennial.
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“Always deliver more than expected”
LARRY PAGE
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MARKETING AND PUBLICITY PLAN
OVERVIEW
LTMB has formulated a simple but effective approach to market its products. The
major focus of the LTMB publicity plan is to keep the marketing very web heavy (i.e.
most of the advertising will be done via the internet). LTMB will be marketed mostly
through social media, Google Ads and word of mouth. Industry people will also be
targeted through different websites, magazines, shows and strategically placed
posters.
POSITIONING
LTMB is offering itself as a first-of-its-kind online talent show in Nigeria. By delivering
the same perks from the top talent shows with rigorous selection processes and
working with a lot of industry veterans, the initiative is gunning for the top spot.
The target market is the creative and trendy millenials. This set of people promote
trends and love out-of-the-box events: positioning LTMB as the new cool thing will
endear these millenials to our corner and create a larger market size for our products
and services.
PRICING
The competitors’ prices have been examined and the range was taken into
consideration in determining the prices of the brand’s products and services. LTMB’s
pricing strategy is to offer premium products/services at the prevalent market price.
LTMB will generate revenue from the following streams:
i)
ii)
iii)
iv)
SMS votes.
Online forms.
Merchandise.
Google Ads.
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The strategy is to use a market penetrating price for a certain period of time to gain a
market share. After LTMB has achieved this feat, the prices can be gradually hauled to
its desired margin level.
PROMOTION AND PUBLICITY
LTMB’s marketing will revolve mostly around online mediums. Some basic offline
mediums will also be used but emphasis will be placed on the online platforms. To get
the most of these mediums, the brand will prepare a polished and professional press
kit.
The Professional Press Kit will include:
•
Biography- a professional one page “about us” will be written to provide press,
radio and social media with a complete concise story behind the brand.
•
Photo shoot- a full service digital photo shoot will be performed to provide high
resolution images for the brand’s social media pages, blog and electronic press
kits.
The Electronic Press Kit (EPK) which will be in a pdf format and power point deck will
contain the following:
-
Company backgrounder.
Management/ Staff bio.
A selection of important press releases.
Product/ services fact sheet.
Case studies.
Digital artwork.
Noteworthy press coverage.
Contact information.
ONLINE PRESENCE
Social media is a useful tool in today’s business environment. The brand believes that
it will be critical to its success. Customer acquisition, customer retention, brand
development and a host of other things are some of the benefits of attention30
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Lyrics to My Beat
grabbing social media pages. LTMB intends to optimise all these benefits and even
more.
§
§
§
§
Customised Instagram, Twitter and Facebook layout- the brand will design and
create unique content for the listed social media pages. These pages will be
used to maximise fan experience and boost brand exposure.
Development of a website- the brand’s website will complement its online
promotion plan and aid in the creation of an expansive online platform that will
allow individuals to see relevant information as they unfold and contact support.
Promotion on online blogs- the brand will be featured in the most prominent
social media blogs; Instablog, Linda Ikeji Blog, Tunde Ednut, to name a few.
These blogs get heavy traffic and will enhance brand publicity.
Internet marketing- LTMB will also utilise paid internet marketing channels like
Google Adwords, Facebook and Instagram to promote the initiative.
Once the professional press kit and updated online presence is complete, the brand
will move forward in presenting its products and services to the mediums that are
illustrated and outlined in detail below.
REVIEWS
The brand will do as much as it can to effectively promote ourselves in the press with
the assistance of a full-time publicist and Sesan Adeniji- a press veteran and founder of
My Streetz magazine. This publicist will secure interviews and reviews for LTMB in
both online and offline publications.
The publicist will compile a list of appropriate press outlets in our target market. The
list will not be solely focused on music blogs but on all things millennial and pop
culture- fashion, sports, movies and trends. Evaluation of our publicity efforts will
include the monitoring of trends on social media (twitter most especially) and feature
regarding the brand and its offerings.
31
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RADIO
The panel of judges for LTMB will include a prominent on-air personality. This person
will work with the brand to ensure maximum radio publicity and will act as a radio
promoter for LTMB.
The radio promoter will update the appropriate radio personnel with information on
our products and recent developments (the contestants, special promotion in the area,
t-shirts, caps, flyers, etc.)
COMPETITIVE EDGE
Talent competition in Nigeria has been a social sensation for more than a decade. A
lot of these shows apply the same strategies and offer similar services. LTMB is not
coming into the market with a new product but offering the same products in a more
appealing manner and taking into consideration, the prevalent trends.
Social Media
The foremost strategy for LTMB is its online based platform. The strategy is to launch
a talent show on the strengths of social media influence. % of Nigerian youths have
active social media pages. Creating a show that is strictly online will boost youth
participation and increase accessibility.
Differentiation
The initiative will not adopt a “winner takes all” model but instead a first to third place
prize model. This will encourage participation and healthy competition amongst the
contestants.
Merchandise
Creating chic and classic merchs is an understated edge. It will be a multi-purpose
product for the initiative. The merchs will be branded with our name and logo (free
publicity), will guarantee LTMB a following amongst the fashionable crowd and will be
a recurring revenue stream.
32
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STRATEGIC ALLIANCES
LTMB will use certain strategic alliances to gain a sizeable market share.
This strategy will be largely based on Sesan’s extensive inside knowledge of the
entertainment industry and an established network of contacts within the industry.
The plan is to work alongside some music industry favourites (musicians, DJs,
producers and on-air personalities) to gain grounds and get maximum participation.
STRATEGY AND IMPLEMENTATION
Lyrics to My Beat will have several milestones. A couple of them are listed below:
Ø
Ø
Ø
Ø
Launch of website and social media platforms.
Signing a prominent artiste as the face of LTMB.
Total sales of 5000 forms to contestants.
Achieving the break-even point.
MILESTONES
Milestone
Start Date
End Date
Management
Website and
social media.
03/01
04/01
IT team and COO
Signing of
artiste.
03/01
06/01
Publicist and COO
Sales of 5000
forms.
06/01
07/01
Marketing team,
publicist and COO
Break-even
point.
03/01
10/01
COO and CFO
33
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SWOT ANALYSIS
STRENGTHS
WEAKNESSES
§ Experienced management team.
§ Online platform guarantees more
§
§
§
§
§
§
§
§
participation.
Strategic alliances with the most
prominent industry people.
Relatively low capital intensity.
Improved customer interaction.
Multiple revenue streams.
Relatively low operations costs.
§
§
THREATS
OPPORTUNITIES
§
§
§
§
§
Imitation of ideas by the competition.
Limited advertising opportunities.
Limited exposure in areas where the
internet is not accessible.
Fraud vulnerability.
Differentiation of brand not distinct
enough.
Growth of niche markets.
New customer segments.
Retirement of competitors.
Changing trends and new technology.
Advertising.
§
§
§
The competition.
Changes in trends, laws and regulations.
Increase in frauds.
34
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STRATEGIC ALLIANCES- ANALYSING THE TOP 10 MOST FOLLOWED
MUSICIANS ON SOCIAL MEDIA IN NIGERIA
Nigerian celebrities, Davido and Wizkid are among the list of the most followed
Africans on the social media channels- Instagram, Facebook and Twitter. This is
according to the Power 50 list compiled by the African Social Media Power Report
(January 2018). This list has a combined following of almost 400 million, a number that
is more than half the population of Europe and twice the population of Nigeria,
Africa’s most populated country.
In Nigeria, the top ten most followed musicians on social media are listed below:
1) Davido
2) Wizkid
3) Tiwa Savage
4) Yemi Alade
5) D’Banj
6) Peter Okoye
7) Olamide
8) Tuface Idibia
9) Phyno
10) Tekno
18.1 million
13.6 million
11.2 million
8.63 million
7.60 million
7.49 million
7.23 million
6.76 million
6.01 million
5.58 million
These musicians have considerable influence over their followers and can be a
beneficial ally for brands. The possibilities inherent in their influence are innumerable
and limitless. LTMB intends to use this leverage to create buzz for its products and
services. The initiative will collaborate with one of the top ten mega influencers listed
above to increase its brand awareness.
35
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“Innovation is when you put an idea into action”
MARC BENIOFF
36
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OPERATIONAL PLAN
OVERVIEW
The purpose of the operational plan is to provide personnel with a clear picture of
their tasks and responsibilities in line with the goals and objectives contained within
the strategic plan.
This operational plan will establish the services, actions, projects and measures that
LTMB has planned for the next` year. It will present highly detailed information
specifically to direct people to perform the day-to-day tasks required in the running of
the initiative.
The operational plan will provide the what, who, when and how much.
What- the strategies and tasks that must be undertaken.
Who- the persons who have responsibility of each of the strategies/tasks.
When- the timelines in which strategies/tasks must be completed.
How much- the amount of financial resources provided to complete each strategy/
task.
37
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STRATEGY
Brand Building
GOAL NAME
- Identify the target
customers.
- Research the target
customers.
- Develop the brand
positioning.
- Develop LTMB name,
logo and tagline.
- Develop the brand’s
website.
- Develop the content
marketing strategy.
- Build the marketing
toolkit.
- Build and expose the
brand
Collaboration
and
Co-creation.
- Generation of ideas.
- Creation of
products/services.
- Refinement of
products/services.
- Unveiling of star artiste.
- Collaborating with
customers.
- Collaborating with
stakeholders.
BUDGET
PERFORMANCE
INDICATORS
INITIATIVES
-Customers identified.
Employ
seasoned
professionals
(digital
marketer, web
designer and
brand
specialist) to
carry out these
functions.
Content
developer
Brand
manager
COO
IT team
Explore and
engage as
many people as
possible to
share and
gather ideas.
CEO
COO
Brand
manager
Stakeholders
The public
-Customers’ needs
explored.
-Brand easily
identified by the
public.
-LTMB logo and
tagline made.
-LTMB website ready.
WHEN
WHO
-Marketing strategy
complete.
- Monthly generation
of ideas by the staff.
- Merchandise and
online competition
creation.
- Testing and
development of these
products.
- Signing Olamide as
face of LTMB.
- Fan feedback for
service improvement.
- reactions and
criticisms from
stakeholders taken
into consideration.
Contact
Olamide’s
management
and share the
vision with
them.
38
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GOAL NAME
PERFORMANCE
INDICATORS
Revenue
Recognition.
- Identify the streams of
revenue.
- Determine the
transaction price of the
products.
- Allocate the transaction
price to each
product/service.
- Sale of forms.
- Sale of merchandise.
- Sponsorship packages.
- Streams of revenue
recognised.
- Each transaction price
outlined.
Hire
experienced
financial analysts
to ensure profit
maximisation
-Transaction price
and cost
allotted.
minimisation;
simultaneously
- Minimum of 5000
guaranteeing
forms sold.
proposed value
- At least 3 sponsorship is delivered
deals sealed.
efficiently.
-
Accountant
CFO
COO
CEO
Promotion
and Publicity.
- Social media
promotion.
- Increase
engagement on all
social media
platforms by 50%
- Growth in the social
media followings by
50%.
- Minimum of 2
product giveaways
every month.
- All promotional gifts
given away.
- Loyal fans rewarded
with promotional gifts
- Feedback from
customers about the
brand’s services.
Content
developer.
Social
media
influencers.
Brand
manager.
Radio
partners.
TV
partners.
- Internet marketing
promotion.
- Product giveaways.
- Branded promotional
gifts.
- Customer referral
incentive program.
- After-sale customer
surveys.
INITIATIVE
BUDGET
STRATEGY
WHEN
Advertise on as
many online
platforms as
possible.
Engage
influencers and
gossip blogs to
expedite the
promotion
process.
Visit local radio
and TV stations
with
promotional
items.
39
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WHO
Lyrics to My Beat
CRITERIA FOR ENTRY AND SELECTION OF THE CONTESTANTS
LTMB is going to be a contest. The final contestants will be chosen based on their
skills and effort by a team of impartial judges; the public will then be given the
opportunity to save their favourite contestant every week and the last three
contestants standing will win mouth-watering prizes.
Criteria for Entry
The entrant must fit into all these categories
1) Nigerian-based Nigerians.
2) 18 – 35 years.
3) Possess outstanding lyrical skills in any language.
A form will be purchased at 5000 naira only by all interested contestants.
Criteria for Selection
Based on a set of established selection factors (delivery, flow, style, unique star
quality and voice dexterity), the judges will assign scores to the listed indices and
make the final selection of 20 contestants for the competition. It is vital that entrants
stick to the entry rules to prevent disqualification.
JUDGES/PANEL AND REQUIREMENT FOR SELECTION
LTMB is a music competition so all 4 judges will have musical backgrounds and
experience. These judges will consist of;
1)
2)
3)
4)
A disc jockey.
An on-air personality.
A print media maestro.
A social media influencer.
40
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These judges will be selected based on their musical prowess, popularity and
objectivity. These judges will undergo basic training to ensure they adhere to the
judging criteria and guidelines of the competition.
IT UNIT
LTMB will outsource its core IT functions to a reputable IT firm. The in-house IT unit
will manage a range of activities that include but are not limited to:
1)
2)
3)
4)
5)
Social media
You Tube.
Website.
Fan mail and enquiries.
Videos of the contestants.
The IT team will work closely with the music producer, content developer and digital
marketer to guarantee a unified standard is transmitted through all the communication
techniques.
41
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“Do what you can, where you are, with what you have”
TEDDY ROOSEVELT
42
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FINANCIAL PLAN
FINANCING
LTMB is seeking to raise 50 million naira in debt funds. The interest rate and loan
agreement will be further discussed during negotiations. This business plan assumes
that LTMB will receive a one-year loan with a 20% fixed interest rate.
The financing will be used for the following:
- Financing for the first six months of operation.
- Development of the LTMB brand.
- Brand ambassadorship.
- Competition prizes
UNDERLYING ASSUMPTIONS
1)
2)
3)
4)
5)
6)
The Nigerian youths will be interested in online competitions.
The Nigerian people love reality shows and will give LTMB a try.
The Nigerian population will continually increase in size.
LTMB will have an annual revenue growth rate of 30%.
The owner will acquire 50 million naira of debt funds to develop the business.
The loan will have a one-year term with a 20% interest rate.
SENSITIVITY ANALYSIS
The Initiative’s revenues are moderately sensitive to changes in the general economy.
As the country is currently in a state of financial uncertainty, the demand for
entertainment has waned given that consumers have less discretionary income.
However, this demand is slight as many people see participating in entertainment as a
source of income and even taking part in the voting process as a lower cost alternative
to more expensive forms of entertainment.
43
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SALES FORECAST
To ensure the accurate depiction of sales for the first year, this business plan used the
social media fan base of our proposed star ambassador to estimate the number of
forms that will be sold.
This was performed in the following manner:
1. Researched and collated the top 10 most followed Nigerian musicians across all
social media platforms (Instagram, Twitter, Facebook).
2. Selected a star from this list based on popularity, loyalty from fan base,
availability and cost.
3. Calculated projected revenue as a function of a percentage of the proposed
star’s followers.
LTMB has decided to work with Olamide. His followership is around 7.23 million. This
will be the basis for our initial sales projection.
Sales Forecast for Forms- Worst Case Scenario
Olamide’s followers
-
Percentage likely to be interested in LTMB
Percentage likely to buy forms
1%
15%
Sales Forecast for Forms- Best Case Scenario
Olamide’s followers
Percentage likely to be interested in LTMB
Percentage likely to buy forms
-%
25%
44
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REVENUE STREAMS
Lyrics to My Beat intends to generate revenue through these streams:
1. 67% of total revenue generated from sales of forms.
2. 15% of total revenue generated from SMS portals.
3. 100% of total revenue generated from Google AdSense.
KEY ASSUMPTIONS
Key Assumptions
Exchange rate (1)
Company income tax
Education Tax
1
30%
2%
Inflation rate
16.54%
No table of figures entries
found.
Interest rate
20.00%
Financial structure
External
LTMB
Year 1
20,000,000
Year 2
40,000,000
Year 3
50,000,000
1,050,000
1,050,000
1,050,000
21,050,000
41,050,000
51,050,000
45
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Costs
Monthly($)
Annual
Naira
TRADEMARKING
12,500.00
12
150,000.00
150,000.00
BUSINESS INSURANCE
58,333.33
12
700,000.00
700,000.00
MARKETING AND
ADVERTISING
JUDGES RENUMERATION
166,666.67
12
2,000,000.00
2,000,000.00
166,666.67
12
2,000,000.00
2,000,000.00
OWNERS SALARIES
100,000.00
12
1,200,000.00
1,200,000.00
80,000.00
12
960,000.00
960,000.00
EMPLOYEES' SALARIES
EMPLOYEES' TRAINING AND
CONSULTING
BRANDING COST
28,333.33
12
340,000.00
340,000.00
416,666.67
12
5,000,000.00
5,000,000.00
PROMOTIONAL COST
125,000.00
12
1,500,000.00
1,500,000.00
LOGISTICS
41,666.67
12
500,000.00
500,000.00
GIFT ITEMS
416,666.67
12
5,000,000.00
5,000,000.00
PROFESIONNAL FEES AND
LICENSE
MISCELLANEOUS COST
29,166.67
12
350,000.00
350,000.00
41,666.67
12
500,000.00
500,000.00
BEAT PRODUCTION
83,333.33
12
1,000,000.00
1,000,000.00
66,666.67
12
800,000.00
800,000.00
SMS PORTAL
Annual Growth rate
30%
46
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Revenue Assumptions
Sale of forms
67%
SMS votes
15%
Vendor Price range
Amount
Average service price
5,000
Average SMS Vote price
100
Sale of Forms
Total Media Reach
Projected Marketing
coverage
Marketing efficiency
Customer conversation rate
%
Number
100%
10%
7,230,-,000.00
10%
72,300.00
15%
10,845.00
Market Size (SMS)
Possible Show viewership
Conversion rate
Probable Show viewership
170,000,000
10%
17,000,000
Voting percentage of users
Number of Votes
2%
340,000
Share of Votes
85%
15%
Telco
LTMB
289,000
51,000
47
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PROJECTED FINANCIAL STATEMENTS
Sales Quantity
2019
2020
2021
2022
Sale of form
3%
10,845.00
14,098.50
18,328.05
23,826.47
SMS VOTES
97%
340,000.00
442,000.00
574,600.00
746,980.00
350,845.00
456,098.50
592,928.05
770,806.47
Sales Quantity
800,-,-,-,-,-,-,-,-
2020
2021
Sale of form 3%
2022
SMS VOTES 97%
48
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INCOME STATEMENT
PROJECTION
TURNOVER
SALE OF FORM
SMS VOTES
REVENUE -FORM SALE
REVENUE - SMS
GOOGLE AD SENSE
2019
54,225,-,000,-,225,000.00
2020
70,492,-,200,-,692,500.00
2021
91,640,-,460,-,100,250.00
-,132,-,698,-,830,325.00
36,168,075.00
5,100,000.00
4,320,-,588,075.00
47,018,497.50
6,630,000.00
5,616,-,264,498.00
61,124,046.75
8,619,000.00
7,300,-,043,847.00
79,461,-,204,700.00
9,491,-,157,001.00
(150,000.00)
(700,000.00)
(2,000,000.00)
(500,000.00)
(2,000,000.00)
(1,200,000.00)
(960,000.00)
(174,810.00)
(815,780.00)
(2,330,800.00)
(582,700.00)
(2,330,800.00)
(1,398,480.00)
(1,118,784.00)
(203,723.57)
(950,710.01)
(2,716,314.32)
(679,078.58)
(2,716,314.32)
(1,629,788.59)
(1,303,830.87)
(237,419.45)
(1,107,957.45)
(3,165,592.71)
(791,398.18)
(3,165,592.71)
(1,899,355.63)
(1,519,484.50)
(340,000.00)
(5,000,000.00)
(1,500,000.00)
(500,000.00)
(1,000,000.00)
(396,236.00)
(5,827,000.00)
(1,748,100.00)
(582,700.00)
(1,165,400.00)
(461,773.43)
(6,790,785.80)
(2,037,235.74)
(679,078.58)
(1,358,157.16)
(538,150.76)
(7,913,981.77)
(2,374,194.53)
(791,398.18)
(1,582,796.35)
(4,000,000.00)
(5,000,000.00)
(350,000.00)
(3,000,-,388,075.00
(8,000,000.00)
(5,827,000.00)
(407,890.00)
(3,000,-,558,018.00
(10,000,000.00)
(6,790,785.80)
(475,355.01)
(3,000,-,250,915.00
(7,913,981.77)
(553,978.72)
(3,000,-,601,718.00
(5,216,-,171,652.50
(7,067,-,490,612.25
(10,575,-,675,640.47
( 19,080,-,521,202.65
12,171,652.50
16,490,612.25
24,675,640.47
44,521,202.65
COST
TRADEMARKING
BUSINESS INSURANCE
MARKETING AND ADVERTISING
JUDGES RENUMERATION
OWNERS SALARIES
EMPLOYEES' SALARIES
EMPLOYEES' TRAINING AND
CONSULTING
BRANDING COST
PROMOTIONAL COST
LOGISTICS
GIFT ITEMS
PROFESIONNAL FEES AND LICENSE
INTEREST ON LOAN
MISCELLANEOUS COST
BEAT PRODUCTION
SMS PORTAL
PROFIT/ (LOSS) BEFORE TAX
CIT (30%)
PROFIT/(LOSS) AFTER TAX
RETAINED EARNINGS
49
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Revenue
Revenue Form Sale
Revenue Form SMS Sales
Google Ad Sense
120,000,-,000,-,000,-,000,-,000,-,000,-
2020
2021
2022
PROFIT/ (LOSS) BEFORE TAX
63,601,718
35,250,915
23,558,018
17,388,075
2019
2020
2021
2022
50
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CASH FLOW PROJECTION
CASH INFLOW
2019
2020
2021
2022
-
33,879,267.50
70,853,220.25
107,258,795.03
EQUITY
21,050,000.00
20,000,000.00
10,000,000.00
-
CASH REVENUE
41,029,267.50
53,338,047.75
69,339,462.08
90,141,300.70
-
4,558,807.50
5,926,449.75
7,704,384.68
62,079,268.00
111,776,123.00
156,119,132.00
205,104,480.00
TRADEMARKING
(150,000.00)
(174,810.00)
(203,723.57)
(237,419.45)
BUSINESS INSURANCE
(700,000.00)
(815,780.00)
(950,710.01)
(1,107,957.45)
(2,000,000.00)
(2,330,800.00)
(2,716,314.32)
(3,165,592.71)
(500,000.00)
(582,700.00)
(679,078.58)
(791,398.18)
OWNERS SALARIES
(2,000,000.00)
(2,330,800.00)
(2,716,314.32)
(3,165,592.71)
EMPLOYEES' SALARIES
(1,200,000.00)
(1,398,480.00)
(1,629,788.59)
(1,899,355.63)
EMPLOYEES' TRAINING
(960,000.00)
(1,118,784.00)
(1,303,830.87)
(1,519,484.50)
BRANDING COST
(340,000.00)
(396,236.00)
(461,773.43)
(538,150.76)
PROMOTIONAL COST
(5,000,000.00)
(5,827,000.00)
(6,790,785.80)
(7,913,981.77)
LOGISTICS
(1,500,000.00)
(1,748,100.00)
(2,037,235.74)
(2,374,194.53)
(500,000.00)
(582,700.00)
(679,078.58)
(791,398.18)
OPENING BALANCE
RECEIVABLES
TOTAL CASH INFLOW
CASH OUTFLOW
COST
MARKETING AND ADVERTISING
JUDGES RENUMERATION
GIFT ITEMS
PROFESIONNAL FEES AND
LICENSE
INTEREST ON LOAN
(1,000,000.00)
(1,165,400.00)
(1,358,157.16)
(1,582,796.35)
(4,000,000.00)
(8,000,000.00)
(10,000,000.00)
-
MISCELLANEOUS COST
(5,000,000.00)
(5,827,000.00)
(6,790,785.80)
(7,913,981.77)
(350,000.00)
(407,890.00)
(475,355.01)
(553,978.72)
(3,000,000.00)
(3,000,000.00)
(3,000,000.00)
(3,000,000.00)
(5,216,422.50)
(7,067,405.25)
(10,575,274.49)
(28,200,000.00)
(40,922,902.50)
(48,860,337.04)
(47,130,557.20)
33,879,267.50
70,853,220.25
107,258,795.03
157,973,923.21
BEAT PRODUCTION
SMS PORTAL
CIT
TOTAL CASH OUTFLOW
NET CASH FLOW
51
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TOTAL CASH INFLOW
205,104,480
156,119,132
111,776,123
62,079,268
2019
2020
2021
2022
Net Cashflow
180,000,-,000,000.00
157,973,923.21
140,000,-,000,-,258,795.03
100,000,-,000,000.00
70,853,220.25
60,000,-,000,000.00
33,879,267.50
20,000,-
2020
2021
2022
52
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Non current Asset
2019
2020
2021
2022
Current Assets
Cash and Cash
Equivalent
Receivables
33,879,267.50
70,853,220.25
107,258,795.03
157,973,923.21
4,558,807.50
5,926,449.75
7,704,384.68
10,015,700.08
Total Current Assets
38,438,075.00
76,779,670.00
114,963,179.71
167,989,623.29
Total Assets
38,438,075.00
76,779,670.00
114,963,179.71
167,989,623.29
1,050,-,171,-,000,000.00
1,050,-,662,-,000,000.00
1,050,-,337,-,000,000.00
1,050,-,859,-,000,000.00
Non-current liabilities
33,221,652.50
69,712,264.75
104,387,905.22
148,909,107.87
Current Liabilities
Tax liability
5,216,423.00
7,067,405.00
10,575,274.00
19,080,515.00
Total Liability
38,438,075.00
76,779,670.00
114,963,180.00
167,989,623.00
Total Liabilities
38,438,075.00
76,779,670.00
114,963,180.00
167,989,623.00
Financed by:
Equity
Retained Earnings
Debt Equity
53
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180,000,-,000,000.00
167,989,623.29
140,000,-,000,-,963,179.71
100,000,-,000,-,779,670.00
60,000,-,000,-,000,000.00
38,438,075.00
Total Assets
STATEMENT ANALYSIS
Payback period
Inflow
Debt Balance
Balance
(50,000,000.00)
Net cash flow year 1
33,879,267.50
(16,120,732.50)
Net cash flow year 2
70,853,220.25
54,732,487.75
Period
-
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NPV
(50,000,-,879,267.50
-
29,080,916.31
70,853,220.25
-
52,204,476.23
107,258,795.03
-
67,835,204.35
157,973,923.21
-
85,759,393.77
Project NPV
184,879,990.65
RATIOS
Gross profit ratio
Net profit ratio
Key Ratios (Minimum pricing)
Interest cover (Times)
10%
20%
20%
38%
2019
40%
2020
46%
2021
19%
25%
22%
BREAK EVEN ANALYSIS
Amount
Total Fixed cost
Total Revenue
a
b
(13,510,-,588,075.00
Total Quantity
Revenue per quantity
Total Variable cost
Variable cost per quantity
Contribution Margin ratio
Break even point in Unit
c
d = b/c
e
f = e/c
g = d-f
h = a/g
350,-
(14,690,-,634.16
*At a sales level of 153,404.89 units, Revenue is just enough to cover fixed cost.
55
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be re-distributed, shared, or copied without written consent of the owner.