Kelsey Hazard Feature - 1st Ten Pages
EXT. RANCH - DUSK
TITLE CARD READS: OJAI, CALIFORNIA.
It’s magic hour in the desert. The mid-summer heat shimmers
in rippling waves in the air. The crops. The blacktop road.
A small ranch in a green valley. Giant mountains behind it.
Can you say incredible view? Old, Spanish mission style
house. Big barn. Rustic pickup truck parked in the drive.
In the distance, a deep blue lake glows in the fading light.
It’s picture-postcard time, folks. Doesn’t get much more
gorgeous and idyllic than this.
EXT. LAKE - DUSK
A young WOMAN (18) lies on an inner tube reading a book,
lazily floating on the water. She takes a hit from a joint.
Holds it in. EXHALES. Turns the page. Riveted.
Meet KELSEY HAZARD, tomboy deluxe. Pretty, but she’s done
everything she can to hide it. Her long, sleek black hair
tied tight in a ponytail. Baseball cap. Shades. Bare lips.
The problem is the tiny bikini she’s almost wearing. Her
killer figure undulates around her tall, lean frame. Ouch.
A TALL, OLDER GUY (60) walks out on the rickety wooden pier.
Meet DOC HAZARD, her grandfather. Looks like your typical old
cowboy. Except for the Grateful Dead T-shirt and biker boots.
DOC
Supper’s almost ready.
KELSEY
(eyes on the book)
Be right there. Just let me finish this
chapter.
DOC
(under his breath)
Goddamn crime novels. If she’d only be as
interested in her school books -EXT. LOS ANGELES - TEN FREEWAY - DUSK
Clogged with rush hour traffic heading west toward the beach.
But not so much heading east into downtown LA. We see an
ARMORED CAR heading that way in sparse traffic.
(CONTINUED)
2.
CONTINUED:
It reaches an off ramp, turns, then starts descending into
the dirty City of Angels.
INT. ARMORED CAR - DUSK
Behind the wheel sits GINO CONTI (30’s). Wiry. Dark-haired.
Dark-skinned. He smiles, chewing on a toothpick. Turns and
looks at the HULKING BRUTE sitting in the passenger seat.
GINO
Look at that sky. Beautiful. In the
cinema they call it magic hour.
GUY
In my book, they call it money hour.
Meet GRIFF HAZARD (40), heister extraordinaire. Built like a
block of granite. Face like a potato. Eyes burning with
purpose. Intense. Mouth a cruel dark slash.
GINO
You wrote book? What is it about?
Griff stares ahead. Silent. Watching the road.
IN THE REAR COMPARTMENT
Sits CHELLE HAZARD (39), Griff’s wife. A gorgeous brunette.
Curvy goblet of sin poured into a leather catsuit. Armed to
the gills. Packing, too. She speaks into a headset.
CHELLE
Come in, Houston. This is The Eagle. Are
we cleared for landing? Over.
GRIFF’S
Eyes flicker. Approach a smile. Don’t quite make it.
GRIFF
(into his headset)
This is Houston. Approaching our target
in -(looks at his watch)
T-minus two minutes. Over.
CHELLE
Smiles grimly. Nods.
CHELLE
Copy that, Houston. Over.
(CONTINUED)
3.
CONTINUED:
Sitting to her left is HELMUT WOLF (40’s), expert marksman,
German expat. Dolph Lundgren, without the looks.
HELMUT
I still don’t like space travel names.
Is too silly.
CHELLE
That’s funny. I don’t remember asking
your opinion.
Sitting to her right is ATLAS DEMO (30’s), medium-height,
barrel-chested. Jet-black hair. Third generation Greek.
ATLAS
Don’t listen to him. It’s fucking genius.
Anybody hears us, they don’t know what
the fuck we’re talking about.
ZVI ROZEN (20’s), Israeli computer hacker extraordinaire.
Hunched over an old-school briefcase-sized laptop. Looks up.
ZVI
(to Helmut)
You just have chip on shoulder because
you came in job late because someone
dropped out. You should be GRATEFUL, not
ruining vibe.
CHELLE
Enough bickering. We need to work as a
team, GOT IT?
Helmut and Zvi glare at each other. Reluctantly nod. Zvi
returns to his laptop. Starts briskly typing out commands.
CHELLE (CONT'D)
(to Zvi)
All set with the power grid?
ZVI
(smiles, gives a thumbs-up)
Like taking electricity from a baby.
INT. DOC'S FARMHOUSE - KITCHEN - DUSK
Right out of Norman Rockwell. Enough knickknacks and quaint
furnishings to choke Martha Stewart. Doc and Kelsey sit at
the table waiting for dinner to be served.
DOC
You do any more thinking about going back
to school?
(CONTINUED)
4.
CONTINUED:
KELSEY
Why the fuck would I do that?
DOC
Not having a diploma kinda limits the
kinda jobs you can get.
KELSEY
Not if I’m gonna be a heister.
DOC
A heister? Where on earth did you -Doc’s wife JO (60) approaches the table with a big tray of
food. Once a great beauty, now a bit faded, but still tough,
with the twinkling eyes of a con artist. Which she was.
JO
Dinner’s served.
She sets it down. Sits. Doc and Kelsey help themselves.
DOC
Thanks, honey. This looks great.
JO
So how was your day, Kelsey?
KELSEY
Okay, I guess.
DOC
Kelsey’s thinking about taking up a life
of crime.
JO
Is that so.
KELSEY
If it’s good enough for Griff and
Chelle -DOC
Now where did you get that idea?
Your parents are in sales.
KELSEY
(snorts)
Yeah, GUN sales.
EXT. DOWNTOWN CITY STREET - DUSK
The armored car stops at a red light.
5.
EXT. AERIAL VIEW OF LOS ANGELES - DUSK
All the lights in the city SHUT OFF.
INT. ARMORED CAR - DUSK
Zvi looks up from his laptop. Smiles eagerly.
ZVI
Let there be DARK.
IN THE FRONT
Griff looks out the window. Sees the lights are out.
GRIFF
(into his headset)
Copy that, Eagle.
(to Gino)
Better get a move on. Traffic’s about to
clusterfuck.
Gino nods. STEPS on it. They LURCH into the intersection.
IN THE BACK
Chelle nods at Zvi.
CHELLE
Commence phases two, three and four.
ZVI
Rockets red glare, coming right up.
His fingers start FLYING across the keyboard.
EXT. UNION STATION - DUSK
A giant EXPLOSION on the front lawn. A GIANT CLOUD OF BLACK
SMOKE envelopes the building. Pedestrians RUN, screaming.
INT. UNION STATION - CONTINUOUS
People inside SCREAM. DUCK for cover.
INT. POLICE HEADQUARTERS - DUSK
Complete bedlam. Officers answer phones. Work computers.
Trying to get control of the situation.
(CONTINUED)
6.
CONTINUED:
FRONT DESK OFFICER
(on the phone)
I don’t KNOW if it’s connected. Just send
units to Union Station, NOW.
IN THE ARMORED CAR
Zvi looks at Chelle. Gives a thumbs up.
ZVI
Go Metro GONE.
EXT. CITY HALL - DUSK
An enormous EXPLOSION rocks the front of the building.
A GIANT CLOUD OF BLACK SMOKE starts enveloping the area.
ZVI (O.C.)
Just fought City Hall -EXT. STAPLES CENTER - DUSK
A HUGE EXPLOSION rocks the front of the building with a GIANT
CLOUD OF BLACK SMOKE. Pedestrians RUN and SCREAM.
ZVI (O.C.)
Swish.
IN THE ARMORED CAR
Zvi looks at Chelle. Smiles.
ZVI (CONT'D)
We have a trifecta.
EXT. DOWNTOWN LOS ANGELES - CITY STREET - NIGHT
There’s a RIOT going on. Complete mayhem. LOOTERS smash
windows. RUN down the street with stolen goods. A GANG-BANGER
throws a MOLOTOV COCKTAIL at a police car. It EXPLODES.
EXT. CITY STREET - NIGHT
The armored car turns a corner.
IN THE ARMORED CAR
Griff speaks into his headset.
GRIFF
Eagle, this is Houston. Prepare for
impact. Over.
(CONTINUED)
7.
CONTINUED:
IN THE REAR
Chelle nods. Speaks into her headset.
CHELLE
Copy that. Over.
(to the rest)
Buckle up. It’s gonna be a bumpy heist.
Everyone SNAPS on shoulder harnesses that crisscross their
torsos. Pull their caps down over their faces until they
become ski masks. One by one, they give a thumbs up.
EXT. BANK - NIGHT
The First National Bank of California. A beautiful building.
Facade is two stories of shiny glass and mirrors.
EXT. CITY STREET - NIGHT
The armored car pulls up in front of the bank, looks like
it’s going to park, but instead makes a turn, BUMPS over the
curb -- ACCELERATES -- and starts HEADING RIGHT TOWARD IT.
IN THE FRONT
Gino and Griff slip on MOTORCYCLE HELMETS.
IN THE BACK
Everyone BRACES for the impact.
EXT. BANK - NIGHT
The armored car reaches the facade, and -- IN SLOW MOTION -CRASHES THROUGH with a BANG. Glass and debris go FLYING.
INT. BANK - NIGHT
BANK CUSTOMERS RUN for cover. SCREAM. The armored car stops.
The doors FLY OPEN. Everyone PILES OUT. Gripping automatic
weapons. Griff blasts a SPRAY OF BULLETS at the ceiling.
GRIFF
This is a ROBBERY. Do WHAT WE SAY -- and
NOBODY GETS HURT.
(looks around)
Got it?
Everyone nods, terrified. Chelle spins around in a slow
circle, aiming her Uzi at them.
(CONTINUED)
8.
CONTINUED:
CHELLE
Everyone down on the ground, NOW.
ZVI
Sits down at a loan officer’s desk. Flips open his laptop.
The emergency generator kicks in. The lights TURN ON.
ZVI
That didn’t take TOO long.
(fingers work the keyboard)
Sorry, Charlie. Only the real tuna gets
to be star-fucked.
The power SHUTS DOWN.
ATLAS
Approaches the teller windows, pointing his Uzi with one
hand. Duffle bag in the other. Evil smile behind the mask.
He THROWS the bag at a SCARED SHITLESS FEMALE TELLER.
ATLAS
No tricks, no dye-packs, or you’ll DIE.
GOT IT?
(of her terrified nod)
In the bag there’s more bags. Give ‘em to
the other tellers -- and start EMPTYING
YOUR DRAWERS.
GRIFF
Waves his Uzi across everyone on the floor.
GRIFF
Which one of you is the manager?
A SHORT GUY WEARING A SUIT AND GLASSES raises his hand.
SHORT GUY IN SUIT AND GLASSES
I am.
GRIFF
Let’s go take a trip to the vault.
ON THE STREET IN FRONT
A JAPANESE GANG ON MOTORCYCLES drives by, bikes dripping with
stolen loot. They SCREECH to a halt. Turn their heads.
JAPANESE GANG LEADER
Sees what’s happening. Turns to his Second-In-Command.
(CONTINUED)
9.
CONTINUED: (2)
JAPANESE GANG LEADER
Looks like our lucky day.
SECOND-IN-COMMAND
Me rob you long time.
They pull out AUTOMATIC WEAPONS strapped to their backs.
HIT THE GAS and ROAR TOWARD THE BANK.
INT. BANK - NIGHT
Just as Griff walks Bank Manager past Chelle, the gang
SQUEALS into the bank and starts FIRING at everybody.
Griff and Bank Manager get SHREDDED TO RIBBONS.
Atlas and Zvi RUN. Chelle gets HIT with MACHINE GUN SPRAY.
Her body JERKS like a puppet in a dance of death.
INT. DOC'S
FARMHOUSE - NIGHT
Doc, Jo and Kelsey sit at the kitchen table, the remains of
dinner strewn about. Having pie and coffee.
KELSEY
You can deny it all you want, but I know
the truth. I found your scrapbook.
DOC
What scrapbook?
KELSEY
The one under your mattress.
DOC
What were you doing SNOOPING around in my
bedroom?
KELSEY
I was looking for your stash. I hadn’t
found a connection yet.
(big smile)
You were quite the heister.
Doc stares. Speechless. The phone RINGS. Jo gets up.
JO
I’ll get it.
(answers it, listens)
Oh my god.
(turns and looks)
Doc?
(CONTINUED)
10.
CONTINUED:
DOC
What’s wrong?
JO
Griff and Chelle -KELSEY
(turns white)
What.
JO
They’re dead.
(looks at Kelsey)
They were -- trying to rob a bank.